What it decides for you

• Make type the entire design: fill the screen with enormous words at wildly mixed scales and weights, break phrases across lines, and let a few words run almost edge-to-edge rather than sitting politely centred.
• Stay on a near-black stage (around #0E0E0E) with warm off-white text and exactly one vivid accent (a hot red-orange) for emphasis, plus an electric secondary used only as flat colour blocks — never as a third text colour.
• Use squared, zero-radius edges and hard flat colour blocks; treat oversized single characters and numerals as graphic shapes that can be rotated, clipped or bled off the edge.
• Run at least one marquee / ticker strip of repeating words to add motion and rhythm, and echo letter-spaced uppercase microlabels above big headings for contrast of scale.
• Lean on a heavy condensed display grotesk for everything large and a plain neutral sans for the small reading copy, keeping line-heights tight (0.85–0.95) so the type stacks like printed poster blocks.
• Keep colour discipline: black, off-white and one accent do almost all the work; the second colour appears in only one or two big blocks so the page reads as a poster, not a rainbow.

Ships with

Design tokens