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Experimental

Atrium

Atrium is a gallery-minimal template built around extreme whitespace and the art itself. A calm hero frames the current exhibition with one large work, while a museum-style grid presents each piece above a small caption plate — artist, title, year and medium — set like a wall label. Pure off-white walls, near-black ink, hairline rules and a single quiet umber accent keep the design refined and out of the way.

Museum-quiet and art-led — works hang on an empty white wall and tiny caption plates carry the words.

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Atrium
Current Exhibition

The Long
Afternoon

New paintings and works on paper by Mireille Vance — a single room of light held still, where afternoon settles slowly across linen and water.

6 May — 19 Jul 2026
On view
Gallery One
Ground floor
Free entry
No booking
Mireille Vance01
Slow Tide, 2025
Oil on linen, 160 × 130 cm

Selected Works

2023 — 2025
Mireille Vance01
Slow Tide, 2025
Oil on linen, 160 × 130 cm
Theo Aldous02
Field Notes, 2024
Graphite on paper, 70 × 54 cm
Ren Kasai03
Quiet Hours, 2025
Pigment on board, 90 × 90 cm
Iðunn Holt04
Northing, 2024
Egg tempera, 120 × 95 cm
Salomé Bauer05
Untitled (Bay), 2023
Wax & ash on panel, 75 × 60 cm
Caius Mendel06
A Room Left Open, 2025
Cyanotype, 50 × 40 cm

On View & Upcoming

Programme 2026 — 2027
On viewThe Long AfternoonMireille Vance · Gallery One6 May — 19 Jul 2026
On viewMargins & MistakesTheo Aldous · Gallery Two6 May — 28 Jun 2026
UpcomingWeather, RoughlyRen Kasai · Gallery One8 Aug — 4 Oct 2026
UpcomingGroup Show: Slow LightEleven artists · Whole house24 Oct 2026 — 17 Jan 2027
Visit

A small house of three rooms, kept deliberately quiet so the work has somewhere to breathe.

Atrium sits on the corner of Saltmarsh Lane. Entry is free; the last admission is thirty minutes before closing. Guided walk-throughs every Saturday at 11.00, no booking required.

14 Saltmarsh Lane, Harbour Quarter
rooms@atrium-gallery.art

Opening Hours
Wednesday — Friday11.00 — 18.00
Saturday10.00 — 19.00
Sunday12.00 — 17.00
Monday — TuesdayClosed
Atrium© 2026 Atrium · 14 Saltmarsh Lane, Harbour QuarterInstagram · Newsletter

Design rules

The system, applied to any site

Every rule below travels with the template — describe your tweaks and the agent keeps the system intact.

What it decides for you

  • Hang the art on an empty wall: surround every work with extreme whitespace so the page reads like a gallery room, never a busy feed.
  • Stay gallery-minimal — a near-white off-white canvas (#FAFAF9), near-black ink text, soft tinted blocks for empty frames, and a single quiet umber accent (#8F6A53) used only for fine emphasis.
  • Pair an elegant serif (Cormorant Garamond) for exhibition and work titles with a crisp sans (Inter) for navigation and labels; keep type quiet and confident.
  • Caption every work like a museum wall label: artist, title, year and medium set in tiny letter-spaced caps on a small plate beneath the piece.
  • Carry structure with whitespace and hairline rules instead of cards, shadows or fills; corners stay near-sharp at 1px.
  • Keep copy spare and curatorial — short, calm statements with plenty of room to breathe between sections.

Ships with

Minimal top nav with wordmarkCalm hero — current exhibition title, dates and one large artworkWorks grid with museum caption plates (artist / title / year / medium)On view & upcoming exhibitions listVisit & opening hours blockSparse footer

Design tokens

Palette

bg
surface
text
muted
accent
accent2
border

Headings

Cormorant Garamond

Body

Inter

Radius

1px

Explore palettes

Keep looking

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Make it yours in minutes.

Start from this template and describe your tweaks — content, sections, colours. The backend and deploy are handled.